The Maker:
ALY LOUIS
Aly Louis is an abstract painter based in Northern Virginia whose work is an exploration of mind, body, and earth as it connects to the feminine existence. Through dynamic layers – both emotional and physical – she creates abstract land and floralscapes that follow intuition over plan, allowing the work to become what it needs to be rather than what she imagined it would. A trained designer, Aly brings the same attention to detail into every corner of her life. She photographs her process every day, jots down snippets of thoughts while she paints, and has a habit of letting those fragments surface later as the titles of finished pieces. Through her work, she hopes to remind people of the value of surrounding themselves with beautiful, intentional things – and of trusting their own instincts to lead them somewhere worth going.
You can connect with Aly and her work through her IG handle @maximalistgoose or website: www.alylouis.com.
3 ONE-OF-A-KIND PIECES
Each piece started as a single, long canvas that Aly cut into three equal sections. The ripping was intentional: a way of letting each painting hold its own identity. Unique, but connected. Individual, but never entirely separate. She hopes that when someone sees them, they feel hopeful and beautiful, and are reminded of their own individuality. That they're inspired to surround themselves with things and moments that bring them joy.

Acrylic Painting
Crafted by Aly Louis and inspired by Jade.
Edition 1/3

Acrylic Painting
Crafted by Aly Louis and inspired by Jade.
Edition 2/3

Acrylic Painting
Crafted by Aly Louis and inspired by Jade.
Edition 3/3
Jade Was
The Inspiration






The Rituals That Ground The Work
Aly's days are organized around the things that keep her creative. There are late nights and early mornings. There are photos taken every single day. And there is always, without exception, a walk.
"Going on a walk loosens my mind, breaks up my anxiety, and allows me to get into my body – which helps me create. My day doesn't feel satisfying without one."
It's the ritual that sets everything else in motion: the painting, the intuition, the willingness to let a piece become something she didn't plan. When the routine breaks, she tries to read it as information. A disruption mid-painting might mean the original path no longer serves the work, so she pivots, or stops, depending on her headspace. A harder disruption, one that keeps her from finishing something that matters, becomes a practice in letting go.
"I try to remind myself that everything happens for a reason. If there's a break, then there needed to be a break. I can't create without allowing myself to trust my intuition and let go."